{"id":20077,"date":"2021-12-08T17:46:11","date_gmt":"2021-12-08T17:46:11","guid":{"rendered":"https:\/\/vr-room.ch\/?p=20077"},"modified":"2021-12-13T17:52:09","modified_gmt":"2021-12-13T17:52:09","slug":"interaktives-vr-krimi-theater","status":"publish","type":"post","link":"https:\/\/vr-room.ch\/it\/2021\/12\/08\/interaktives-vr-krimi-theater\/","title":{"rendered":"Teatro interattivo del crimine in VR"},"content":{"rendered":"

Il Teatro di Stato di Augusta continua a espandere la sua divisione digitale. \u00c8 stato rilasciato il primo episodio di una serie poliziesca interattiva per la realt\u00e0 virtuale.<\/h3>\n

L'interrogatorio con la guardia di sicurezza deve continuare? O \u00e8 meglio ascoltare Annette Herzog, responsabile dell'azienda high-tech Golden Mind? Sembrava nervosa, quasi ansiosa, quando ha chiesto di parlare. Ma i dettagli dell'omicidio nell'ufficio di Herzog, a cui la guardia giurata potrebbe aver assistito, sarebbero sicuramente interessanti. L'ispettore Alina Decker la guarda con un atteggiamento di attesa. E adesso? Allo spettatore viene posta una domanda del tipo \"o la va o la spacca\", in cui c'\u00e8 poco da perdere. Nella peggiore delle ipotesi, potrebbero ritrovarsi con una trama pi\u00f9 noiosa. Sarebbe un po' una sfortuna.<\/p>\n

Serie poliziesca per VR e teatro<\/h3>\n

Solo \u00e8 il nome della serie poliziesca interattiva che la Teatro di Stato di Augusta<\/a> come produzione di realt\u00e0 virtuale. La divisione VR ha il Teatro<\/a> continuamente ampliato, come abbiamo gi\u00e0 segnalato<\/a>. Soprattutto all'inizio dell'anno, durante la serrata, Augsburg ha svolto un ruolo pionieristico a livello nazionale.<\/p>\n

Sebastian Klauke ha scritto un thriller poliziesco, messo in scena in modo interattivo da David Ortmann sia per il palcoscenico che per la VR. Il pubblico ha voce in capitolo sullo svolgimento della serata. Nella versione VR, il pubblico \u00e8 naturalmente solo e guarda negli occhiali VR forniti dal teatro. Questo mostra la semplice forma di un gioco, trasferito nello spazio teatrale e poi trasferito nella realt\u00e0 virtuale. Non \u00e8 quindi adatto a chi vuole giocare in modo veloce o cerca le soluzioni VR pi\u00f9 sofisticate. Solo \u00e8 un thriller teatrale con diverse fasi che si compongono in modo diverso a seconda della decisione. Il gioco e il teatro dipendono l'uno dall'altro e il ritmo familiare di entrambe le aree non fa parte del concetto.<\/p>\n

L'episodio si conclude con un cliffhanger; la seconda parte uscir\u00e0 a marzo.<\/h3>\n

Nonostante la moderna tecnologia VR, la produzione ha un fascino nostalgico, in quanto funziona come i libri di teatro che erano popolari negli anni '80. Lo spettatore VR \u00e8 virtualmente sul palco con loro.<\/p>\n

Il tutto dura circa 45 minuti. La prima parte si concluder\u00e0 a un certo punto, ovviamente con un cliffhanger, e la seconda continuer\u00e0 nel marzo 2022.<\/p>\n

Fonte: sueddeutsche<\/p>","protected":false},"excerpt":{"rendered":"Lo Staatstheater Augsburg continua a espandere la sua divisione digitale. 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