Thun-Panorama<\/a> ha finalmente potuto inaugurare la mostra speciale 2020 marted\u00ec 30 giugno. L'esposizione offre un nuovo sguardo sul panorama. La tardiva fioritura di questo mezzo, alla fine del XIX secolo, coincide con l'epoca dei primi film, dove il gioco dell'illusione nei paesaggi costruiti viene messo in scena in modo nuovo.<\/p>\nLa mostra esamina come, al di l\u00e0 del panorama, i media del cinema, del video e dell'arte digitale abbiano da allora esplorato nuove possibilit\u00e0 di rappresentazione del paesaggio. Opere di Gary Beydler, R\u00e9my Zaugg\/Ren\u00e9 Pulfer e Philipp Gasser incontrano la ricostruzione filmica in 3D di un paesaggio urbano del 1896.<\/p>\n
Il \"paesaggio\" non \u00e8 nulla di predeterminato<\/h3>\n
La mostra \"Oltre il panorama - La costruzione del paesaggio\" intende presentare una sezione centrale dell'intricata storia delle immagini. Lo fa nella sezione principale, concentrandosi su due punti di svolta nel panorama svizzero: il 1809, quando Marquard Wocher inizi\u00f2 il panorama di Thun, e il 1903, quando il celebre panorama della Jungfrau di Auguste Baud-Bovy affond\u00f2 in una tempesta nel Mare d'Irlanda mentre era in tourn\u00e9e.<\/p>\n
L'unica traccia rimasta di questo gigantesco panorama \u00e8 la maquette ad olio esposta in mostra, il cosiddetto panorama di Aeschi. Una fotografia realizzata appositamente per la mostra con le pi\u00f9 moderne tecnologie multimediali combina la vista panoramica attuale di Thun, vista dal punto di osservazione di Marquard Wocher, con il panorama storico in una proiezione frontale.<\/p>\n
Costruzione del paesaggio in film, video e arte digitale<\/h3>\n
La tarda fioritura del panorama si ebbe all'epoca dei primi film, alla fine del XIX secolo. In questi film, l'illusione di un paesaggio costruito veniva messa in scena in modo nuovo. \u00c8 il caso anche dei filmati di recente ricerca presentati in mostra dall'imprenditore svizzero Henry Lavanchy-Clarke, che utilizz\u00f2 il \"Cin\u00e9matographe Lumi\u00e8re\" appena lanciato per filmare il Village Suisse all'Esposizione Nazionale di Ginevra del 1896 - completo di montagna artificiale - in cui si nascondeva il gigantesco panorama della Jungfrau di A. Baud-Bovy.<\/p>\n
Con VR sul vecchio ponte del Reno<\/h3>\n
Un altro film di Lavanchy-Clarke, girato sul Ponte Vecchio del Reno a Basilea nel 1896, pu\u00f2 essere visto in mostra - ampliato in una vista panoramica generata al computer - utilizzando un video anaglifico in 3D stereo.<\/p>\n
La ricostruzione virtuale dell'antico ponte sul Reno di Basilea non solo restituisce la visione a tutto tondo del panorama: anche lo spazio al di l\u00e0 del terreno finto \u00e8 ora virtualmente accessibile. Il computer costruisce cos\u00ec anche le aree del paesaggio che si trovano al di l\u00e0 del nostro campo visivo o del nostro punto di vista.<\/p>\n
L'immagine e il suo supporto all'interno e tra i paesaggi immaginari \u00e8 anche il tema dei film di R\u00e9my Zaugg Projections from 1990\/2019, creati in collaborazione con Ren\u00e9 Pulfer. Infine, l'animazione computerizzata 3D New Snow di Philipp Gasser (*1958) riprende il tema del panorama nella forma familiare della webcam di una stazione di montagna.<\/p>\n
Viaggio nel tempo delle tecnologie dei media<\/h3>\n
Traccia digitalmente la vista di Berg\u00fcn e il tempo nella Valle dell'Albula dalle 7.00 del mattino alle 19.00 di sera. Allo stesso tempo, la costruzione di questo paesaggio mediatico di secondo grado \u00e8 un viaggio nel tempo: Le immagini costruite attraversano le tecnologie mediatiche prima dell'alta definizione, dell'iPhone e della realt\u00e0 virtuale - e tutti questi passi indietro lasciano tracce e artefatti.<\/p>\n
La mostra \u00e8 stata curata da Simone B\u00fcsch-K\u00fcng, ricercatrice associata al Kunstmuseum Thun, Hansmartin Siegrist, David Bucheli e Andreas Weber (progetto Digital Literacy and Early Swiss Cinema presso il Dipartimento di Media Studies dell'Universit\u00e0 di Basilea), in collaborazione con la Scuola d'Arte e Design di Basilea (FHNW), Andreas Wenger, l'Istituto di Interior Design e Scenografia e il Centre national du cin\u00e9ma et de l'image anim\u00e9e (CNC) francese, con il gentile sostegno della Gebert R\u00fcf Stiftung.<\/p>\n
Fonte: jungfrauzeitung<\/p>","protected":false},"excerpt":{"rendered":"\"Oltre il panorama. Sulla costruzione dei paesaggi\" - la mostra speciale nel Thun Panorama mostra dimensioni sorprendenti della messa in scena...","protected":false},"author":12,"featured_media":17628,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[68],"tags":[],"class_list":{"0":"post-17620","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-virtual-reality-schweiz","8":"cs-entry","9":"cs-video-wrap"},"yoast_head":"\n
Thun-Panorama: Wie Bilder eine Landschaft schaffen - Schweizer Virtual Reality News<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/vr-room.ch\/it\/2020\/08\/10\/thun-panorama-wie-bilder-eine-landschaft-schaffen\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Thun-Panorama: Wie Bilder eine Landschaft schaffen - Schweizer Virtual Reality News\" \/>\n<meta property=\"og:description\" content=\"\u00abJenseits des Panoramas. 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